The Version of Me Nobody Saw

The Version of Me Nobody Saw

The Version of Me Nobody Saw

For most of my early life, I was two different people.

At home, I was the obedient Tamil son — respectful, quiet, playing the role my Sri Lankan parents needed me to play. At school, I was the cool, rebellious outsider — trying to fit in, trying to belong, doing whatever it took to be accepted by a world that felt foreign to me.

Neither of those versions was real. And somewhere underneath both of them, the actual me was waiting.

I just didn't know that yet.

Between two worlds

I was born in Sri Lanka but raised in Australia. My parents left when I was six months old, and we built our lives in a Western world I never quite felt part of. At home we spoke Tamil. At school I spoke English. The rituals and cultural expectations of my Sri Lankan heritage felt like obligations I didn't understand and didn't want — and the Australian world I moved through every day felt like somewhere I was always slightly on the outside of.

So I did what a lot of kids do when they don't belong anywhere: I adapted. I split. I became whoever the room needed me to be.

At home — the good son. Compliant, respectful, playing the part.

At school — the guy who knew how to read the room. I skipped classes, hung out with the cool kids, got into recreational drugs. Not because I loved any of it. But because belonging had a price, and I was willing to pay it.

I learned that lesson early. And it cost me pieces of myself I wouldn't even realise were missing for years.

The persona that took over

By the time I got to university, the performance had become second nature. I was sharp academically — not because I worked hard, but because I was good at reading patterns, cutting corners, and coasting on competence. I chose civil engineering because it made sense. My father was an engineer. It was a path I could explain and justify.

I passed on the subjects I actually loved. There was a design and technology class where we built things by hand. I loved the smell of sawdust, the feel of wood, the satisfaction of making something real. But I told myself it wasn't smart. It wouldn't scale. It wouldn't pay.

That became one of my first regrets. And one of my first clear lessons in what it costs to live for logic instead of joy.

By second year of university, I was getting high every day. Weed was constant. Cocaine and ecstasy on weekends. Psychedelics when I could find them. I cycled through it all, telling myself I'd stop — but I never really did. Most of my friends were on the same ride. High achievers with secret habits. The culture was seductive. The escape was easy.

And I judged myself hard for all of it. I knew it wasn't me. But I couldn't seem to climb out.

The hollow win

Eventually I graduated. Landed a corporate job at a respected property development company. A suit, a city office, structure, prestige. Everything I thought I wanted.

I showed up. I performed. I signed up for every training. I played the part well.

And underneath all of it, I felt hollow.

There was an ache I couldn't name — like I had betrayed something sacred inside me. Something real. Something that had been there long before the engineering degree and the office and the performance reviews.

I was winning at the life I had been taught to want. And it felt like nothing.

The crack in the ceiling

The moment of clarity came unexpectedly. I was sitting in the office one day, looking around at the open plan desks and the fluorescent lighting and the rhythm of meetings and deliverables — and I thought: this isn't it. This isn't my life.

Two weeks later, I resigned.

To the outside world it looked impulsive. But inside, I knew. If I didn't leave then, I was just delaying the life I had come here to live.

When I walked away, I felt something I hadn't expected: bliss. Not relief. Bliss. For the first time, I had made a decision purely for myself. Not to impress anyone. Not to perform. Not for future returns. Just because it was true.

That one choice cracked something open. The story I had been living in was no longer whole. And I couldn't unsee the crack.

What the double life was really about

Looking back now, I can see what was actually happening underneath all of it — the split identity, the substances, the performance, the hollow wins.

I was searching for connection. Real connection. Not the kind you get from fitting in or impressing people or ticking the right boxes. The kind that comes from actually knowing yourself. From being seen. From belonging not to a world or a culture or a social group — but to your own life.

I had been performing myself into existence for so long that I had no idea who was underneath the performance. And that disconnection — from myself, from my purpose, from anything real — was the source of everything. The numbness, the ache, the inability to stop even when I wanted to.

The double life wasn't a moral failing. It was a survival strategy. A way of getting through a world that never quite felt like home.

But survival strategies have a shelf life. And mine had expired.

What I found when I stopped performing

It took a long time — and a lot of detours — before I started to find the version of me that had been there all along. The one nobody saw. The one I had buried under years of adaptation and performance and trying to be whatever the room needed.

What I found, eventually, was that the real work was never about achieving more or fitting in better or finally getting the life to look right from the outside. It was about coming home to myself. Learning to trust the quiet knowing that had been there beneath the noise the entire time.

That journey is what changed everything.

And it started the moment I stopped pretending I was fine — and admitted, for the first time, that I had no idea who I actually was.

Written by

Abhinayan M. Kugendnan

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abhinayan@abhinayan.com